The Day That The Rains Came Down
The Pacific Northwest is getting soaked today - all day, so far. Steady, life-giving, rain. It's dark like a winter's day, making inside chores a much drier [depending upon the chore, however] alternative to weeding in the garden. This June day I'm creating quilted Christmas stockings for a fund-raising craft fair on Nov. 2 at Woodmoor Elementary in the Bothell/Woodinville, WA area. [That's my initial go at creating one, in the photo.]
Rodale Press has graciously given their approval for me to make these to sell, as seen and described in one of Lynette Jensen's quilting books. The craft fair is sponsored by the SEPAC, the special education council and professionals associated with the special ed program in our Northshore School District. Along with these stockings, I'll be creating additional 'traditional' quilted things [cards, table linens, lap quilts] as well as smaller, non-traditional art pieces in frames.
I just received Rodale's permission this morning, so I jumped to the Internet to order bells and ribbon. My stash luckily overfloweth with Christmas fabrics of all colors and motifs, collected over the past thirty years or so. SEPAC is a most-deserving recipient of the funds they receive from artists' table fees. The services they offer go way beyond their income. The UW Huskies football team has a 'bye' [rest day] that Saturday, so I'm not sacrificing an annual tradition with my adult children in order to participate in the fair. And so, I'll sew on!
Many thanks to the viewers who drop by my blog from time to time. Don't hesitate to drop me a line - it's fun to connect with artist/quilters from all over the world!
Thursday, June 20, 2013
Thursday, June 6, 2013
June 6 "Saratoga Passage"
One of the countless amazing views in our Evergreen State of Washington is across Saratoga Passage, from the town of Langley on Whidbey Island looking east across the passage to Camano Island and on to the Cascade Mountains. In any type of weather or any season, this is a grand view. I've tried to interpret this horizon with fabric and stitch, meaning to capture a fleeting moment in time for my mind's eye.
The April/May Quilting Arts magazine posed a Reader's Challenge called "Passages." We can interpret the word any way we wish, and I chose this real-life piece of our local geography. We'll see if it "passes" the juror's vision for interpretation.
Langley is a wonderful little town, full of tourists in appropriate seasons, and island residents year-round. There are lots of art galleries and great places to eat, fine dining as well as fast-food island-style. Langley is a short ferry ride from just north of Seattle at Mukilteo, or a longer but scenic drive accessing the island over Deception Pass on Whidbey Island's north end. Either way you go, it's like stepping away from the stresses of day to day life and entering another world of salt air and seafood - a mini-vacation in a day. Restful and enriching. Always.
One of the countless amazing views in our Evergreen State of Washington is across Saratoga Passage, from the town of Langley on Whidbey Island looking east across the passage to Camano Island and on to the Cascade Mountains. In any type of weather or any season, this is a grand view. I've tried to interpret this horizon with fabric and stitch, meaning to capture a fleeting moment in time for my mind's eye.
The April/May Quilting Arts magazine posed a Reader's Challenge called "Passages." We can interpret the word any way we wish, and I chose this real-life piece of our local geography. We'll see if it "passes" the juror's vision for interpretation.
Langley is a wonderful little town, full of tourists in appropriate seasons, and island residents year-round. There are lots of art galleries and great places to eat, fine dining as well as fast-food island-style. Langley is a short ferry ride from just north of Seattle at Mukilteo, or a longer but scenic drive accessing the island over Deception Pass on Whidbey Island's north end. Either way you go, it's like stepping away from the stresses of day to day life and entering another world of salt air and seafood - a mini-vacation in a day. Restful and enriching. Always.
Thursday, May 16, 2013
Look for my leaf 12 x 12 inch quilt [April, 2013 post] on the SAQA website and on SAQA's Pinterest page! I donated it as a fund-raising piece for SAQA's annual auction. Studio Art Quilt Associates is a wonderful organization that supports art quilt artists through education, scholarships, traveling exhibits, and more.
Some of the small quilts will be auctioned at Houston's fall International Quilt Festival, but most will be available for auction via computer in early September. Check out their website: SAQA.com for information about the organization, and all of the opportunities for viewing quilts and instructions on how to bid during their auction to own a unique small art quilt created by a SAQA artist!
Some of the small quilts will be auctioned at Houston's fall International Quilt Festival, but most will be available for auction via computer in early September. Check out their website: SAQA.com for information about the organization, and all of the opportunities for viewing quilts and instructions on how to bid during their auction to own a unique small art quilt created by a SAQA artist!
May's theme for our Art Chick's group is: ferns! Luckily, May is the month when ferns of all types and sizes unfurl from the warming soil and spring forth as swords of many ilks and greens! I took a photo walk in my garden recently, and decided that I'd change the gorgeous verdant leaves to black and white. This art piece was created with fern fronds as a monoprint/sunprint, using thinned black Setacolor transparent paint on PFD white fabric. I then thread-sketched over the negative prints of the ferns themselves, and added outline quilting to hint at the movement of the ferns in the breezes that blow through our Pacific Northwest on a fairly constant basis. So, black + white or in living color, these ferns are an annual sign that spring has sprung and summer is not far behind.
Tuesday, April 23, 2013
April's theme word for my art quilt small group is 'button.' Wanting to think 'out of the button box', I decided to try painting a button, then highlighting it with thread-painting and quilting. Where to start? With a button, a very large button image! Since this is a 12 x 12 inch piece of PFD cotton fabric, I had a lot of room for this fantasy button. So, on a very rainy and dark day in Western Washington last week, with lightning and thunder accompanying my brushing, I created a very yellow/chartreuse button that I plan to thread-paint. I took a follow-up trip to the fabric store for matching thread, and now I'm ready to try this new technique. Results will follow in a posting in the next few days!
Tuesday, April 16, 2013
April 16, 2013
Drawn To Leaves
Last year I purchased a Quilting Arts workshop DVD by Catherine Nicholls titled "Drawn to Pen and Ink." On it she explained how to display an image onto fabric via light box [or window], and then outline/transfer it in tiny dots, plus using dots to create shadows and veins. Catherine inspired me to use her drawing technique in this 12 x 12 inch piece - outlining the veins, shadows, and shape of photograph I took of a maple leaf I found in my yard last fall.
I used a piece of my own hand-painted turquoise and brown cotton on which to place the leaf, plus hand-dyed turquoise silk for the inset squares which were stamped with gold paint. Everything was machine-quilted.
Among my goals for my studio work this year is to use new techniques in my small studies, and to use at least one small study as the inspiration for a larger work.
Drawn To Leaves
Last year I purchased a Quilting Arts workshop DVD by Catherine Nicholls titled "Drawn to Pen and Ink." On it she explained how to display an image onto fabric via light box [or window], and then outline/transfer it in tiny dots, plus using dots to create shadows and veins. Catherine inspired me to use her drawing technique in this 12 x 12 inch piece - outlining the veins, shadows, and shape of photograph I took of a maple leaf I found in my yard last fall.
I used a piece of my own hand-painted turquoise and brown cotton on which to place the leaf, plus hand-dyed turquoise silk for the inset squares which were stamped with gold paint. Everything was machine-quilted.
Among my goals for my studio work this year is to use new techniques in my small studies, and to use at least one small study as the inspiration for a larger work.
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